52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week.  Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work.

Justin Jordan

Justin Jordan is a relative newcomer to the comic industry.  Jordan began breaking into the industry following the success of the release of his Image Comics title, “The Strange Talent Of Luther Strode”.  With a skill for writing characters and plots, Jordan is perhaps most well-known for working with colourist Felipe Sobreiro to create truly hyper violent comic book series.  Jordan’s style of writer doesn’t necessarily call for the most gratuitous types of violence, instead treating the violence in his comic books as playful and being immediately distinct as well as recognizable.  Having already released plenty of hit series, Justin Jordan is a writer to keep your eye on within the creator owned network of the comic industry.

Spread Volume 1:  No Hope

SPREAD_1A decade ago, a strange symbiote like infection simply referred to as “The Spread” began to overtake the Earth.  This virulent strand spread quickly, infecting humans, plants, and animals, turning them into twisted caricatures of life.  The humans, having now established safe zones, managed to slow the Spread to a crawl but its threat still looms largely over a crippled society.  Human life has changed immensely, with humans becoming more scavenger like and doing whatever it takes to survive.  No is one of these scavengers, being a stoic but hardened member of this new world.  No’s life suddenly changes when he stumbles across a dying woman in the middle of the snow, urging him to “find Hope”.  Initially, No is confused by this plea before quickly discovering that the woman had a baby who was kidnapped by other scavengers.  The baby, whose name is Hope, appears to be just like any other child until the Spread attacks No and these scavengers, revealing that the baby’s tears actually kill the Spread.  No and Hope set together to survive against the hordes of the Spread and villainous scavengers along the way.

Justin Jordan teams with co-creator Kyle Straham to bring the world “Spread”, a crazy action/horror series that treads new ground in the comic industry.  Brought to the table is a ridiculous, 80’s action and horror story slammed together at high speeds, creating a gruesome, vile, exciting, fast paced, and ridiculously fun story.  Justin Jordan and Kyle Straham just hit the right stride with this sort of series, never taking things too seriously but still providing the reader with something to feel threatened by.  With Kyle Straham being not only a co-creator but the artist on this series as well you get a strong sense that in working with Jordan both men have the direction they want to head in fairly ironed out, which really does allow these stories to bloom as time progresses.  Together the two men find the perfect balance between having a chilling horror story where you feel as though you’re constantly being stalked, never feeling safe, and an action story wherein massive set pieces and epic battles can take place.

spread_pg4The masterful blending of two genres isn’t the only thing Justin Jordan and Kyle Straham should be applauded for.  One of the most enjoyable parts of this first volume of “Spread” has to be the world that these two creators build for the duration of this tale.  Spread is set in an almost desolate, winter setting reminiscent (to my mind anyways) of the cult horror film, “The Thing”.  The humans who have survived the initial wave of the Spread now have to try to survive against not only the elements of the world but fellow survivors as well.  Jordan and Straham essentially show us a crippled section of the world, implying that the rest of the world may be worse for wear as well but not showing the reader yet to create a sense of suspense and anticipation in the reveal of other locations.  They eliminate the availability for almost all forms of transportation early on in the story, giving us a world better suited for horses than conventional travel like cars, planes or boats.  Communities still seem to be an important part of the world, as scavengers gather together in well fortified areas for trading and survival.  These areas do showcase how primitive life has become, with the “safe places” being grounds for germs, diseases, and low standards of living.  You truly get the sense of isolation and desperation from the duo of creators as they hammer home time and time again how harsh the world has seemingly become, showing the reader that between the bands of evil scavengers and the Spread, this is a world you wouldn’t want to get stuck in.

In terms of characters, you only get a handful of primary players from Jordan and Straham.  The primary protagonist of the tale is a rather simple man referred to as “No”.  At first glance this appears to be a peculiar name for a hero but as you climb through No’s story you realize the name is fitting due to the fact that his dialogue consists predominately of the word “no”.  No is a character who is short on dialogue and character development but not awesomeness as he is most certainly spread_pg3your typical strong but silent hero who doesn’t mix words and would rather lob the heads off the enemies who stand in his way.  As a result you do get a rather flat hero to this story but when you get past the fact that No’s development isn’t really the point it’s easy to rectify the boring lead who will give you plenty of moments that flare up in action.  Hope and Molly are the two other secondary protagonists, with Hope being the baby savior of this horrible world and Molly being her “mother”.  Hope is an interesting character in the sense that she narrates the story from a future perspective, being the narrator to the series even though she is still an infant.  She adds an immediate sense of interest to the series, being a physical weapon No can use to battle the hordes of the Spread as her tears and saliva seem to hold some form of property that allows for the immediate destruction of any Spread the bodily fluids touch.  With Hope, No’s adventures become fascinating as she makes you want to know more about her and how No will use her.  One question I’m sure that will cross reader’s minds is “What will happen as she ages and become a child who doesn’t cry on demand?”.  If Hope is the interesting cast member and No is the unsung, one-note hero than Molly is simply the crazy one.  Molly is introduced in an odd way early on and only becomes weirder as the plot trudges along.  She becomes a great piece for Jordan and Straham to use to allow No some freedom, making Molly become Hope’s “mother”.  In doing so Hope can be pawned off on Molly to give No the ability to go into battle without worry of having an infant strapped to his chest.  Even though Molly is largely a mother figure to Hope she still has plenty of peculiar quirks that make her a more odd member to the cast.

As I pointed out when talking about the primary heroes of the story, the series is narrated through the perspective of an aged Hope, recollecting events with some hindsight.  It’s a storytelling style that is becoming more common in comics thanks to series like “Saga”, with Jordan and Straham using the child to tell the story convincingly.  It’s always a pleasure to read how a character recalls an event and get their input on how things went or how they would’ve done things differently.  This style of narration allows for plenty of foreshadowing, a great tool used by the creators to help build anticipation for future plot points.  Jordan and Straham seem to have some semblance of a long game in mind, helping to make the reader feel a little more comfortable in knowing that the story will go somewhere beyond having No cart around a child saviour across the crippled Earth.  Jordan and Straham actually develop a few key antagonists in this first volume as well, introducing the human Ravello, an evil man who leads plenty of scavengers, as well as playing up the idea of the Spread being a villain but also part of the world.  All around, Jordan and Straham do an excellent job of placing plenty of building blocks for the future of this series, laying tons of ground work that will payoff for anyone who commits to this series.


Collects: Spread #1-6

Best Character:  Fat Jack

Best Line Of Dialogue: “No.” – No

Best Scene/Moment:  No discovers the use for Hope – Issue 1

Best Issue:  Issue 5.  The fifth issue of this collection is largely the climax of the first arc, with the issue afterwards dealing with the descending action and consequences of choices.  All the primary characters are maneuvered into difficult and seemingly losing positions with few options for victory.  In my opinion, the best writing always happens when you write a character into a corner and show how they fight their way out.  Weak writers will write these characters into a corner and then proceed to kill them but here Jordan and Straham resist the urge to just kill everyone, instead making compelling and tension riddled moments for readers to enjoy.  What you’re left with is plenty of action, excitement, drama, and an ending that makes you immediately start reading the next issue to see how everything will conclude.

Why You Should Read It:  It’s hard to find a lot of good horror comics in my opinion.  With the exception of a few writers, a lot creators in the comic medium have a hard time striking the right balance that they need to when it comes to horror.  With Spread, Justin Jordan and Kyle Straham draw on 1980’s film influences to give you a comic book that I think will be the equivalent of a “cult classic” in ten years.  The style is impeccable, feeling like a beautiful blend between the horrific elements of John Carpenter’s “The Thing” and the action feel of “Predator”.  If you were a child of the ’80’s I imagine this series will have an odd sense of nostalgia to it.  If you want a series that is over-the-top with action and horror then sink your teeth into “Spread”.  It’s a little dirty, kind of vulgar, but pretty awesome when all is said and done.